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Cassy's Blog
Thursday, March 17, 2016
Wednesday, March 9, 2016
Thlog #10
Well this is definitely a bitter, sweet feeling. I must say, it is a relieve to write my last blog of the quarter but it is also a bitter feeling to realize that today was our last official day in this class, and although it required a lot of work, I must say this class was one of my favorite classes this quarter.
I really enjoyed how we learned so much about writing through videos, pictures, talks, etc. and did not just focus on the whole paper and pen type of style. I also liked how we learned about simple things like comma placement, paraphrasing, rhetorical features, genres, and so much more in such complex aspects. I would have thought that these were just basic features of writing that everyone should have known, but after going through it thoroughly in class, I realize how much I did not know and how many mistakes I was making in my writing.
With that being said, I must say that the project I am most excited about is my portfolio because I really want to see how much I have really developed in my writing. It is very easy to say I have improved in my writing, but it is something completely different to actually see it occur so I am definitely excited about that. I especially want to see how my WP2 improves because I know that is the one I struggled with the most but I am totally ready for it to get better! Overall, I am really excited to take what I have learned here and practice it in my future writing and classes. I like how Zack was able to connect most of what we learned to real examples because I am able to point things out in genres I never would have even thought of paying attention to.
So thanks Zack, I think you did an excellent job at nailing this class!
I really enjoyed how we learned so much about writing through videos, pictures, talks, etc. and did not just focus on the whole paper and pen type of style. I also liked how we learned about simple things like comma placement, paraphrasing, rhetorical features, genres, and so much more in such complex aspects. I would have thought that these were just basic features of writing that everyone should have known, but after going through it thoroughly in class, I realize how much I did not know and how many mistakes I was making in my writing.
With that being said, I must say that the project I am most excited about is my portfolio because I really want to see how much I have really developed in my writing. It is very easy to say I have improved in my writing, but it is something completely different to actually see it occur so I am definitely excited about that. I especially want to see how my WP2 improves because I know that is the one I struggled with the most but I am totally ready for it to get better! Overall, I am really excited to take what I have learned here and practice it in my future writing and classes. I like how Zack was able to connect most of what we learned to real examples because I am able to point things out in genres I never would have even thought of paying attention to.
So thanks Zack, I think you did an excellent job at nailing this class!
Monday, March 7, 2016
WP3
Casandra Phillips
Writing 2 WP3
03/04/2016
Description/ Summary
I decided to focus my project on “Textual Silences Large and
Small” by Thomas Huckin. This article focus on how the missing pieces of
writings and texts actually have a meaning behind it and they serve a purpose.
Thomas Huckin categorizes these textual silence moves into 6 types from least
to most transparent type of silence to show the importance in each and how they
are presented.
Like previously mentioned, there are 6 different silences that
are presented in this article by Thomas Huckin. Most of these can go with each
other but they all kind of serve a different purpose individually. The first
one mentioned was “topical silence” which occurs when, “where some topic
relevant to a larger issue is omitted from discussion” (421). This silence
focuses on not giving too many details out to expose certain things about real
issues that might trouble some people. The next silence is “conventional
silence” which is stated to be “cases where the genre (or the parent
discipline; see Dressen, 2002) dictates that certain types of information be
left unsaid” (422). An example given was a eulogy and how certain things should
not be said during this time, for example, if the person deceased was a serial
killer or criminal, no one should ever mention that on a eulogy. The next
silence is called “discreet silence” which is when, “where the writer refrains
from mentioning sensitive information either to avoid offending the reader,
avoid revealing organizational secrets to rival forces, or avoid infringing on
another person’s privacy”(423). Pretty self-explanatory, just do not mention
sensitive topics. The fourth silence we have is called “lexical silence” which
is, “where two words are similar in meaning but one is more general than the
other (424). I thought about it as sugar-coating, kind of going around the
term, because it is basically just diction. The fifth silence is “implicational
silence”, this one is considered to be an, “implication, defined as “the suggestion
of a thought or idea by letting it be inferred from something else, such as a
statement” (425). I absolutely love this one because I use it all the time.
Instead of saying things straight up you try to just go around it and hope
people get what you are saying. The last but not least silence is called,
“presuppositional silence” and it is, “these are cases where the writer omits
relevant information on the assumption that it is already known to the reader”
(428). This is when information is not mentioned because the author assumes
that the reader must know all ready.
Mrs. Irene Phillips
AP Literature &
Writing
Classroom: 24C
Lesson Plan:
Teacher: Good
Evening Ladies and Gentlemen, how are you today? I know that everyone is really
tired, and hot from lunch but we will be taking a pop quiz today! Yay!! I know
you all must not be excited, but I am because this is one of my favorite
lesson. I think you all will enjoy this lesson because it is going to very much
help you with your college applications in regards to your personal statement
and what you should put in or take out of it. This lesson is a part of being a
high school senior applying for college so please look excited to learn! I am
going to quickly go through textual silences and what they are and then we will
take a quick 5 question quiz to make sure all you lovelies got it. With that
being said, does anyone have any idea of what textual silences are?
*STUDENTS RAISE
THEIR HAND AND ANSWER*
Teacher: Great! Let’s go with Gus, then Ryan, then
Junior and we will dive right into the lesson.
Gus: Text that are silent which mean they have no
meaning to them?
Teacher: Hmm, okay that is an interesting way to put
it, thanks for participating, next.
Ryan: Yee never mind, I was going to say what Gus
said, it is just thing that we read or whatever and they are just there but say
nothing or prove nothing to us.
Teacher: Ok cool, thanks for elaborating a bit more.
Next
Junior: I honestly do not know but I am going to guess
and say it has something about how we read certain text.
Teacher: Alright awesome, thank you all for
participating and they were all great answers. I feel like you guys were
roaming around the waters with the answer but were not quite there yet. So
basically in a few words, textual silence is what exactly a text is lacking
compared to other text similar to it. We will go ahead and look into 4 types of
ways to spot these missing moves and go on from there. We will then go over the
6 types of texts that can be missing and why exactly they can be missing. So
let’s get started!
e) 3 b) 2 c) 1 4) a 5) f 6) d
A)
4 types to identify the textual silence:
1.
The first step on
identifying a textual silence is comparing it to a different/ familiar genre and
seeing what ties in and what does not tie in
2.
The second rule on
identifying a textual silence is to kind of have an idea of what you need and
are looking for in this piece and see if that is present or not. You can do
this by looking at familiar texts throughout a period of time and becoming
familiar to what information this certain topic revolves around.
3.
The third, factor
to follow this procedure would be to go back over the text and make a point out
of those missing subtopics, and genre features that you have noticed elsewhere
but are missing here.
4.
The fourth rule is to
go back to this text and critically think on why certain information is
missing. You are forced to think about what influence they had on you during
the reading, and after it too. It is to see how these missing pieces influence
the reader on the project, and how we as readers analysis it.
B)
6 types of Textual Silence & Their Conventions:
1. Topical Silence: The
first type of textual silence is topical silence. Topical silence is when the
text does not share too many details. The author avoids speaking about topics
that would raise suspicion or awareness like; genocide in Congo, global
warming, human rights, etc. There is basically no text on real world matters
because certain countries, people, places want to avoid speaking about it on
their behalf.
2.
Conventional
Silence: The next silence is called conventional silence. This
silence revolves around certain genres that you use in certain situations. An
example would be that in eulogies at a person’s funeral you will not speak upon
how the person killed someone or cheated on their spouse, you will simply try
to glorify the person. So in a more college experience for your applications,
in your personal statement you would not write about all your failures or what
you have done wrong.
3.
Discreet
Silence: The following silence is called discreet silence, and
with this silence it is best understood as not mentioning sensitive topics for the
discretion of others. A great example for this is not mentioning or showing
people who many soldiers we actually lose every day in war. We try to prohibit
that from being shown for the discretion of the families.
This silence can be in both a
negative and positive matter because it just needs the right balance. For your
personal statement for your college applications you should definitely speak on
personal matters that you have experienced, BUT you cannot speak upon subjects
that you think might make other people uncomfortable so you must be careful
what you mention.
4.
Lexical
Silence: The next silence is called lexical silence and it
revolves very much around diction. You are simply using words that might not
give the full background or meaning to the text, you are “sugarcoating” to say
it in simpler terms. Instead of saying that person is black, you would say,
that person of color, instead of saying I am broke, you would say, I come from
a low income background. During your personal statement difficult times should
be spoken upon, so instead of saying, I went through a hard time, say, I
experience a challenging moment, or I have over cake many obstacles.
5.
Implicational
Silence: Our next silence is implicational silence and it
revolves around giving vivid statements. Make sure you can deny, deny, deny. So
for your personal statement, you can imply that you have struggles and are not
the best student but do not say I am the “worst student ever”, so key to this
silence is; BE ABLE TO DENY YOU EVER SAID ANYTHING, be as vague and broad as
possible
6. Presuppositional Silence:
Our final but definitely not least silence is presuppositional silence. For
this silence you kind of go around what you are saying, being indirect instead
of repeating what the reader already knows. So again, an example for something
that might come up in your personal statement is how, “other students near me are
doing similar papers so….” but this can basically mean “students in my classes
or other schools close to me are also applying to the same school as me so…”.
So implying things by saying it differently, do not repeat yourself, they know
what you are trying to say. This silence in particular revolves around cultural
norms and who exactly are audience is that we are addressing.
Conclusion:
So this is a simple, less condense meaning of what
each silence means and how to present it or not present it. I gave a few
examples and tried to bring back around to your personal statements to be able
to remind you ladies and gentlemen that there are certain writing moves we
should pay more attention to on how we present. Do we really want to take up so
much space in a text? Or be silent in our text. Think about it ladies & gentlemen!
Any questions? If not, let’s continue to our short 5 minute quiz and let’s see
where everyone is on this.
Name:
Date:
QUIZ TIME!!!!
EXAMPLES
OF SILENCE:
A. You should not call a person ugly, but you can say
that person looks different
B. A rubber’s lawyer not bringing up that his client
has a criminal record and might be a murder
C. Not writing about Donald Trump’s racist remarks on
the Daily Newspaper
D. “I was here before you” cultural norm that implies
that you must go first
E. Not knowing anyone’s true intentions, being
moderate about what you disclose
F. Hmmm, I prefer pasta over seafood but it is up to
you. (So you do not like seafood?) I never said that.
6
SILENCES
Here
are the following types of silences listed below. Please make sure that you
write down the letter you feel that best corresponds with the type of silence
and the above examples given.
1) Topical
Silence: ___
2) Conventional
Silence: ___
3) Discreet
Silence: ___
4) Lexical
Silence: ___
5) Implicational
Silence: ___
6) Presuppositional
Silence: ___
People need to like me chart:
Ok so as a model agent working
here in the model industry I notice a lot going on every day, a lot of people
handling, and I do not just mean people handling business. As an older agent I
notice these little things and it is about time I help you all out, ladies in
particular! So I am making this chart to help you all out and make your life
easier ladies. Let me tell you what you are doing wrong and why you cannot pick
any of these guys up! So I am making a chart of every mistake I have seen you
ladies make and what to do to fix them! It will be up in my office, please do
not hesitate to go in there and check it out for yourselves because you ladies
are embarrassing me a little.
|
6
Silences
|
Meanings
|
Examples
of failures!
|
Examples
of success!
|
|
Topical
Silence
|
NOT
too many details on your life!!!
|
Ladies,
why are you telling this poor man all about your past. He does not need to
know who in the office you’ve been with, when was the last time you had any
intercourse, who was the last one you kissed. Shush it up! Have a little
privacy
|
Start
of by speaking about the job. Speak about yourself as an individual, not
about things that would raise some suspicion. Keep your past relationship and
sex life AWAY. Let’s mention nothing and no one but each other.
|
|
Conventional
Silence
|
Omit
information based on the genre, they do not need to know that in this
conversation.
|
If
you are in the lunch room together, and he is talking to you about lunch
tomorrow, why are you bringing up your entire family and how he will love
them because they make great food? Girl please, you need to hold those horses
of yours because this little horse is out the door by the time you start
talking about your daddy.
|
Keep
to the subject! If you are speaking about something already stick to it.
Let’s say you are talking about food and he says “yee I love my mom’s
cooking”. That is NOT an okay for you to start talking about your entire
family and how your sister cheated on your brother-n-law and your aunty cut
her boo thang, NOOOOOO, NOOOO, NO! You must say, “oh how nice, I love my
mom’s cooking too, maybe one day you can try it” and *smile* END of family
conversation!
|
|
Discreet
Silence
|
Do
not mention sensitive topics!
|
OMG
you have no idea how often I have seen this occur. You ladies actually start
getting somewhere with this little thing you have going on, you making those
slick moves and them BOOM! You drop the boom and those tears are just flowing
like a giant scene from Alice In Wonderland. Good gracious in what right mind
is it okay to start talking about anyone’s divorce and start crying? Girl get
a grip, you just screwed those chances up.
|
AVOID
sensitive topics. If you are not ready to talk about how you just divorced
the lobby checker guy AVOID it. Mr. Model guy does not want to see you cry,
that is awkward. What is he supposed to do? Hug you? Pat your back? Tell you
it’ll be okay? Oh hunny please do not make him go through that.
|
|
Lexical
Silence
|
Diction,
watch the words you use girl!
|
I
like when people are up front but do not be so out about stuff, or at least
watch how you say things. Keep it classy, never trashy.
|
I
like black men
VS
I
like men of color
SEE
THE DIFFERENCE?
This
is another one that I particularly hate but it is more for men.
You
are so sexy
VS
You
are so beautiful/ handsome.
SEE
THE DIFFERENCE?
Sexy
makes it sound like you just want to hit it and quit it, no one wants that.
|
|
Implicational
Silence
|
Vivid
Statements, DENY, DENY, DENY
|
Please
ladies, stop setting yourself up for failure. You can’t just tell the dude,
“you are hot, I want to take you home, and undress you” whoa whoa whoa, nope,
can’t do. Ease that on to him.
|
DENY,
DENY, DENY. You never said ANYTHING.
“oh
yee I used to have a couple of good friends in the office”
So
when word gets back he can’t say you told him you didn’t say anything
girlllll,
Never
kiss and tell (;
Let’s
go Netflix & Chill don’t mean a thing if you don’t say a thing (;
|
|
Presuppositional
Silence
|
Information
is not mentioned because you think the person already knows
|
If
you are being super vague and are not straight up about what you want,
nothing is going to happen. Some people do not know what flirting means, they
just think you are being friendly so make those moves of yours girl. You got
this.
|
Tell
him, don’t assume he knows you are on to him, have a voice and say, “you and
I, movies tonight, what do you say?”
And
let it be what it is
|
Analysis
Part
of understanding a text is being able to identify what is missing and what is
present throughout it. In the article “On Textual Silences, Large and Small” by
Thomas Huckin, the author presents these six terms to us that describe how
certain features cannot be present in an article and how that switches the
dynamics completely. Thomas Huckin’s presents; topical silence, conventional
silence, discreet silence, lexical silence, implicational silence, and
presuppositional silence. All these silences revolve around missing
information, changing genres within a text, sensitive topics, diction, and
statements made or not made. With that being said, choosing two different
genres for the younger audience and older audience was a bit difficult because
I just did not understand why people younger than me would have to even worry
about these types of moves or where exactly would people older than me imply
these moves. After some very long thought and going through a few trial and
error ideas, I finally decided on doing an AP lesson plan for seniors in high
school for my younger audience and a “how to get people to like you at work”
chart for my older audience.
After
some long thought I came to the conclusion of doing a lesson plan for an AP
Writing & Literature class in high school. This class would be particularly
for seniors in high school taking this advanced course preparing for college. This
lecture is particularly important because it can help these students with
applying to college which they are currently doing and bettering their personal
statement. I teach this class what should and what should not be said in their
personal statements through these textual silences that Huckin presents. It is
important for me to teach them these silent texts because they will be learning
it in college anyways and this is a college course in high school so they must
know it. They get credit for Writing 1 so it might be a little advanced but it
will set them in the right track.
Regarding the way I actually wrote
it and simplified the lesson plan and quiz, was due to the time this course is
taught. This course is taught in the afternoon right after lunch so I know
these kids are already tired from lunch and anxious to go home, so everything
must get simplified and eased into their education. I think this particular
lesson is extremely important and very detail orientated, but it is also very
easy to do once you understand the overall concept of it.
Older
Chart:
For my older audience, I decided to focus on people older
than twenty-two years old in a model industry office, especially women. I have
watched many shows about modeling office and that drama that goes down so I
just thought it would be perfect. I focused on the modeling industry because
(although I do not want to point it out) I am going to point out the stereotype
that most, if not all people who get hired there are attractive people. You
have both attractive men and women working in this office and there is no way
that relationships both committed, and sexual, will not occur. With this genre
I point out the flaws that I have noticed when women try communicating with
these men by using the six textual silence and what these ladies should, or
should not say. I then point out how they can make relationships work by again
saying, and not saying certain things to these men.
I decided to do this genre because I wanted to have a bit
more fun with my adult project and I felt like drama was perfect for it,
especially work drama!!! Looking into this kind of industry where everyone is
so uptight and boogie, I wanted to make sure I presented that tone in my chart
and made it known that I knew everything about what went down in the office. It
is like a preparation chart for women to study before they even try to talk to
anyone and fail. I just really tried to be spontaneous and have fun with this
genre so I hope people enjoy it and see where I was going with this message and
how I turned something so academic into something so dramatic and fun.
While doing this project I actually really looked into these
6 textual silences and notice I do one very often. I seem to always use
implicational silence when I am talking to people and trying to ask for
something. I usually question something instead of asking for it. For example
this is a conversation I had with one of my sisters;
Me: hey is that your chocolate?
Her: Yes
Me: oh cool, I like those
Her: ummm do you want some?
Me: Yes
I just always figure people know what I want so I am
never straight forward about anything, it is just awkward for me.
My
goals for each piece were to present the information in various ways. I used
moves like tone, structure, and diction to elaborate what age I was focusing on
and why I was doing what I was doing. As the authors Losh and Alexander
mention, “rhetoric is also about saying the right thing at the right time”(143).
This ties into many of these texts silences because for a few of them it is
just what you say and when you say it, or what you do not say at certain
moments or in certain texts. Again, when looking into “discreet silence” I immediately
thought of when Losh and Alexander said, “inspiring passionate emotions and
structuring rational arguments” (143). This is exactly what discreet silence is,
it is knowing what to avoid so you do not receive an emotional reaction. These
are just a few details used commonly throughout the textual silences that I
noticed. Another example used in the “Writing with Pictures” article that came
up in the silence texts was, “for example, that you wanted to show a man
walking”, yes, instead of pacing, she is walking, diction!!!! Lexical silence for
ya’ll!
Works Cited
Alexander, Jonathan, and Elizabeth Losh. "Writing
Identities." Understanding Rhetoric: A Graphic Guide to Writing 3
(n.d.): n. pag. Web. 29 Feb. 2016
Hacking, Thomas. On Textual Silences, Large and Small.
Publication. N.p., n.d. Web. 28 Feb. 2016.
Writing 2 – WP3 Feedback Matrix
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Writer: _Casandra Phillips________
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Did Not Meet Expectations
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Met Expectations
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Exceeded Expectations
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Transformed
Genres
(Overall) |
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Younger Genre’s
Conventions and Rhetorical Factors
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Older Genre’s
Conventions and Rhetorical Factors
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Consideration
of “Big Ideas”
in the Scholarly Article |
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Perceived
Effort
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Self-Analysis
Reflection
(Overall)
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Description of
“Moves”
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Attention to
Genre/Conventions and Rhetorical Factors
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Use of
Translated Genres
as Evidence of “Moves” |
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Use of Course
Readings
(McCloud, Losh/Alexander, Etc.) |
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Sentence-level
Clarity, Mechanics, Flow
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Other Comments and Grade
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